HELLO, MY NAME IS GOOGLE. I KNOW EVERYTHING ABOUT YOU. I PLAN TO KEEP IT THAT WAY. SO, GO AHEAD. DO A SEARCH FOR SOMETHING THAT INTERESTS YOU. I'M HERE TO HELP. I'LL BE WAITING...AND MOST IMPORTANTLY. I WILL BE WATCHING YOU.
BITCHIN' WITCHIN'
Gotta <3 It.
New York is a lot of work. is an edition of 1,000 real dollar bills emblazoned with a maxim, “New York is a lot of work.” The text is hand-imprinted with a high-gloss foil stamp.”
The above is the simple description of Reed Seifer’s presentation at The Armory Show. Seifer, known for massive scale public art initiatives, also handled all graphic art for The Armory Show itself.
Via:Curatedmag.com
NEW YORK IS EXPENSIVE. PERIOD.
Carrie Fisher was smoking hot in her Star Wars days. Whoa!
Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection — in terms of both quantity and quality — of Jack Davis’ work ever assembled! It includes work from every stage of his long and varied career, such as: excerpts of satirical drawings from his college humor ’zine, The Bull Sheet; examples of his comics work from EC, MAD, Humbug, Trump, and obscure work he did for other companies in the 1950s such as Dell; movie posters including It’s a Mad, Mad, Mad, Mad World, The Bad News Bears, Woody Allen’s Bananas, The Party, and others; LP jacket art for such musicians and bands as Hans Conreid and the Creature Orchestra’s Monster Rally, Spike Jones and Ben Cooler; cartoons and illustrations from Playboy, Sports Illustrated, Time, TV Guide, Esquire, and many others; unpublished illustrations and drawings Davis did as self-promotional pieces, proposed comic strips that never sold (such as his Civil War epic “Beaureagard”), finished drawings for unrealized magazine projects — and even illustrations unearthed in the Davis archives that the artist himself can’t identify!
It was many and many a year ago,
In a kingdom by the sea
That a maiden there lived whom you may know
By the name of Annabel Lee--
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love--
I and my Annabel Lee--
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me--
Yes!--that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
For the moon never beams, without bringing me dreams
Of the beautiful Annabel Lee:
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee:
And so, all the night-tide, I lay down by the side
Of my darling--my darling--my life and my bride,
In the sepulchre there by the sea--
In her tomb by the sounding sea.
But our love it was stronger by far than the love
Of those who were older than we--
Of many far wiser than we--
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:
-POE
YOUNG FEMALE.
Gotta admit, this is some slick graphic design for a barber shop. Kudos.
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I AM NO FASHION NUT, BUT THIS PICTURE IS REALLY COOL. VERY MYSERIOUS. KINDA EYES WIDE SHUT. I LOVE THIS.
Whats for breakfast? I wonder what ever happened to Fruit Brute?
Spike
Die Lee
Zombie country. Pretty cool illustration!
HOT TO DEATH..
When you double click this text box you can change the style, color and web fonts. When you're done just click save to close the text editor. While in the When you double click this text box you can change the style, color and web fonts. When you're done just click save to close the text editor. While in the text editor the contents are not autosaved. When you are done with your text click save. Autosave will resume. text editor the contents are not autosaved. When you are done with your text click save. Autosave will resume.
2007
Won
National Board of Review
Best Director
Sweeny Todd: The Demon Barber of Fleet Street
2007
Nominated
Detroit Film Critics Society
Best Director
Sweeny Todd: The Demon Barber of Fleet Street
2007
Nominated
Golden Globe
Best Director
Sweeny Todd: The Demon Barber of Fleet Street
2007
Nominated
Broadcast Film Critics Association
Best Director
Sweeny Todd: The Demon Barber of Fleet Street
I love Tim Burton. I love Sweeny Todd. Tim Burton should WIN more awards but he is still an amazing film maker.