After a six year dispute, prolific writer and profound spiritualist, Sophia Stewart has received justice for copyright infringement and racketeering and will finally recover damages from the films, The Matrix I, II and III, as well as The Terminator and its sequels. Yes, you heard that correctly – the entire Matrix & Terminator franchises, and her suspected pay off is expected to be the highest in history – an estimated 2.5 billion.

Her case is a true landmark, and far too uncommon as countless creatives are exploited by the snake-like dealings of the movie industry. Here’s a recap of her triumphant journey by way of George2.0:

“Stewart filed her case in 1999, after viewing the Matrix, which she felt had been based on her manuscript, ‘The Third Eye,’ copyrighted in 1981. In the mid-eighties Stewart had submitted her manuscript to an ad placed by the Wachowski Brothers, requesting new sci-fi works.

According to court documentation, an FBI investigation discovered that more than thirty minutes had been edited from the original film, in an attempt to avoid penalties for copyright infringement. The investigation also stated that ‘credible witnesses employed at Warner Brothers came forward, claiming that the executives and lawyers had full knowledge that the work in question did not belong to the Wachowski Brothers.’ These witnesses claimed to have seen Stewart’s original work and that it had been ‘often used during preparation of the motion pictures.’ The defendants tried, on several occasions, to have Stewart’s case dismissed, without success.

Stewart has confronted skepticism on all sides, much of which comes from Matrix fans, who are strangely loyal to the Wachowski Brothers. One on-line forum, entitled Matrix Explained has an entire section devoted to Stewart. Some who have researched her history and writings are open to her story.”

Although it’s long overdue, and buried in large part by the media machine, Stewart has finally received official credit (and hopefully financial settlement by 2009) for her prodigious contributions to both Hollywood, and the world for her ground breaking sagas, both the Matrix & Terminator franchises. Let us hope that this landmark ruling provides a measure of hope for other ripped off screenwriters seeking justice even if only by way of public recognition.

"These slides were obtained from "estate sales" and vernacular photographic collector (another aggregator personality). He has been collecting found slides and photos for a longer time than I hence, the fabulous images. Again, I restored the slides after scanning just as I have with my other slides, due to extreme blueness or darkness or spots."