VINCENT
LIONS
A photograher in Canada by way of France. He has alot of experience in working in art directing and of course in fashion photograhy. Source: Vincent Lion's site.
Is this Colarado Hotel the entrance to Hell? It could explain why its always burning down and why its haunted by demons. You wouldnt even get me to stay a night in this place!
All rights reserved Madacy Entertainment Group
punk fuckin' rock
From an early 1982 interview
MM: There's a certain, let's use the term, crudity, to your heads . . .Do you like it that way or would you like to get them more refined in a realistic way?
JMB: . . .I haven't met that many refined people. Most people are generally crude.
MM: Yeah? And so that's why you keep your images crude . . .
JMB: Believe it or not, I can actually draw.
MM: You're what, Haitian-Puerto Rican, is that - Do you feel that's in your art?
JMB: Genetically?
MM: Or culturally . . . I mean for instace, Haiti is of course famous for it's art.
JMB: That's why I said genetically. I've never been there. And I grew up in, you know, the principal American vacuum, you know, television mostly.
MM: No Haitian primitives on your wall?
JMB: At home? . . . Haitian Primitives? What do you mean? People?
MM: No I mean paintings . . . Where do the words come from?
JMB: Real life, books, television.
MM: And just skim them and start including certain -
JMB: No, man, when I'm working I hear them, you know, and I just throw them down.
MM: . . . It's just spontaneous juxtapostions and there's no logic?
J.M.B.
Agustina Woodgate's work reminds us that all corporeal entities are interconnected with themselves and each other. Her practice investigates how stories, rituals, and traditions transform our relationships with the objects and places around us. This being-in-relation is a way of perceiving, a mode of moving, and a narrative of global truths designed by cultural fictions. COLLECTIVISM presents Woodgate's evolution by moving its audience towards a collective future, that is integrated, involved, inclusive, and in continual process.
Agustina
woodgate
More info about this exhibit: Spinello Projects
"I left my house when I was seventeen because I wasn't getting along with my parents. I have lived on my own ever since. It was a really good experience for me. Taught me how to be ambitious and get things done because I knew no one else was gonna be there to help me if I messed up and couldn't afford rent, or food etc. It also taught me the value of a dollar which I think is missing in MANY MANY young people's lives. It's unfortunate."
KRISTEN
LEANNE
NETT
"Well over the weekend we played with a lot of Polaroids, and that's always fun. Lately, I've been trying to work with more artists that inspire me so I don't feel burnt out. I'm trying to melt the worlds of fashion and fetish together to create erotic art that doesn't necessarily include nudity".
END OF THE WORLD?
If you watch the news and read the papers and what’s on the internet; by the looks of it, it seems it’s the end of the world. If it’s not the end, it appears more then ever as if it’s around corner. It could be fear mongering by the media as a form of control? It could be that information due to the rapid growth of social media gives us “breaking” news overdoses. Things have always happened, but now we find out on real time instead of weeks or months later. It’s at an instance. The world is more united when it comes to info sharing. Now, if a doze birds die mysteriously everyone around the world can find out in 1 hour. Does this have to do with all of this 2012 talk? I like to stay optimistic, even if I stopped eating the fish. If Dec. 21st 2012 is the date…well I have a little message for the Mayans….
GUIDELINES
Female painted as the iphone. Now, why couldn't I think of that? I wonder how you put in the battery? Check out the other photos at Design You Trust.
ME, JUST ME IN MY PLACE
Really cool website that features regular American girls in their apartments. Not too crazy, but a little naughty. I dig this. Check it out. Me In My Place