Robin isn't Gay
no, not him
this robyn.
Zack Rosen: And you have the biggest gay following here which is great, because American gay music is usually so shitty. I think you’re going to have basically have a gay bar in your audience tonight. Have you noticed that a lot?
Robyn: It’s an obvious part of my audience and it’s always been like that, ever since "Show Me Love." It’s something I’m very aware of and, something I’m connected to because I’ve always been listening to music that’s resonated in gay culture. Unaware of it, too, when I was a kid. Even if I grew up listening to Donna Summer and Sylvester and Erasure, and the things that are typically connected to the gay scene, there are also lots of other artists that I grew up listening to like Prince or Kate Bush. They are super queer, they are always something I’ve been drawn to, and been connected to. For me… what defines it more is a sense of being an outsider, and that’s what always defines gay culture and gay music. It’s music that is not afraid to be on the outside looking in, to be on the other side a little.
Zack Rosen: And out of curiosity, for the ladies, any chance you’re not straight?
Robyn: Sorry, I’m straight!
ZR: Well we can’t win ‘em all.
Robyn: No.
Read full interview: The New Gay
Do you want more from Aaron Van Dike? Go Go Go!
Melissa clarke
is no joke.
VINCENT
LIONS
A photograher in Canada by way of France. He has alot of experience in working in art directing and of course in fashion photograhy. Source: Vincent Lion's site.
Ha, burger joints been opening everywhere. Seems to be the trend but Waco, TX really got things on lock. Check out the video! I wonder if they have a Pimp Slap a Ho Burger yet? Hold the Mayo Ho!
HO HO HO
BURGER?
Alysha Nett is so lovely. More More More
Is this Colarado Hotel the entrance to Hell? It could explain why its always burning down and why its haunted by demons. You wouldnt even get me to stay a night in this place!
All rights reserved Madacy Entertainment Group
punk fuckin' rock
The lovely
VALERIE DE LEON
To check out more of her styling make sure to visit her personal blog: Indie Queen
The term mosh came into use in the early 1980s American hardcore punk scene in Washington, D.C. Early on, the dance was frequently spelled mash in fanzines and record liner notes, but pronounced mosh, as in the 1982 song "Total Mash" by the D.C.-based hardcore band Scream. H.R of the band Bad Brains, regarded as a band that "put moshing on the map,"used the term mash in lyrics and in concert stage banter to both incite and to describe the aggressive and often violent dancing of the scene. To "mash it up" was to go wild with the frenzy of the music. Due to his Jamaican-accented pronunciation of the word, fans heard this as mosh instead
MOSHPIT
RED
NEVER
LOOKED
THIS
DAMN
SOOOO
AMAZING
From an early 1982 interview
MM: There's a certain, let's use the term, crudity, to your heads . . .Do you like it that way or would you like to get them more refined in a realistic way?
JMB: . . .I haven't met that many refined people. Most people are generally crude.
MM: Yeah? And so that's why you keep your images crude . . .
JMB: Believe it or not, I can actually draw.
MM: You're what, Haitian-Puerto Rican, is that - Do you feel that's in your art?
JMB: Genetically?
MM: Or culturally . . . I mean for instace, Haiti is of course famous for it's art.
JMB: That's why I said genetically. I've never been there. And I grew up in, you know, the principal American vacuum, you know, television mostly.
MM: No Haitian primitives on your wall?
JMB: At home? . . . Haitian Primitives? What do you mean? People?
MM: No I mean paintings . . . Where do the words come from?
JMB: Real life, books, television.
MM: And just skim them and start including certain -
JMB: No, man, when I'm working I hear them, you know, and I just throw them down.
MM: . . . It's just spontaneous juxtapostions and there's no logic?
J.M.B.
Agustina Woodgate's work reminds us that all corporeal entities are interconnected with themselves and each other. Her practice investigates how stories, rituals, and traditions transform our relationships with the objects and places around us. This being-in-relation is a way of perceiving, a mode of moving, and a narrative of global truths designed by cultural fictions. COLLECTIVISM presents Woodgate's evolution by moving its audience towards a collective future, that is integrated, involved, inclusive, and in continual process.
Agustina
woodgate
More info about this exhibit: Spinello Projects
HMM..MIAMI BEACH...
